Landschap met drie putti te paard - Christoph Jamnitzer
Archival giclée
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Description
A fine etching by Christoph Jamnitzer depicting three putti on horseback, showcasing the playful and precise style of Northern Mannerist printmaking.
This etching by the Nuremberg goldsmith and engraver Christoph Jamnitzer depicts a whimsical scene of three putti mounted on horseback. The composition is characteristic of the Northern Mannerist period, where classical motifs were often reinterpreted with a sense of playfulness and technical precision. Jamnitzer, known primarily for his work in metalwork and design, applied the same attention to detail in his graphic output as he did to his elaborate silver vessels.
The three figures are shown in a sparse, open field, each engaging in a different activity. One putto blows a trumpet, another holds a bird aloft, and the third appears to be wielding a whip or switch. The horses are rendered with a sense of movement, their postures suggesting a lively, if somewhat surreal, procession. The background is kept minimal, consisting of a simple line of trees and a few scattered clouds, which directs the viewer's attention to the central figures. The line work is fine and controlled, reflecting the artist's background in the decorative arts and his mastery of the etching needle.
Jamnitzer was part of a family of prominent goldsmiths, and his work often reflects the ornamental sensibilities of the late Renaissance. This print is an example of the period's interest in mythological and allegorical subjects, presented here in a lighthearted manner. The figures possess the rounded, soft forms typical of putti in art of this era, while the horses exhibit a slightly exaggerated anatomy that aligns with Mannerist stylistic tendencies. This piece offers a glimpse into the broader graphic culture of early seventeenth-century Germany, where prints served as both independent works of art and sources of inspiration for other craftsmen.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landschap met drie putti te paard - Christoph Jamnitzer
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