L'Assiette au Beurre, No. 263 - Diverse Vervaardigers
Archival giclée
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Description
A reproduction of the 1906 cover of the French satirical magazine L'Assiette au Beurre, featuring a striking lithographic illustration and a list of imprisoned contributors.
This print reproduces the cover of the 14 April 1906 issue of the French satirical weekly magazine, L'Assiette au Beurre. The publication was known for its radical political stance and its use of high-quality lithographic illustrations to critique the social and political climate of the Third Republic. This specific edition, titled La Liberté, addresses the incarceration of various contributors, including Gustave Hervé and Urbain Gohier, who were imprisoned for their anti-militarist and anarchist writings.
The visual composition features a central figure of a woman, rendered in a fluid, calligraphic line style characteristic of the period. She is depicted in a pose of resignation or contemplation, kneeling against a dark, textured background that contrasts with the stark, cream-coloured paper. To the right, a bold orange vertical band lists the names of the contributors currently in prison, followed by those who remained free. The typography is integrated into the design, reflecting the magazine's aesthetic approach where text and image functioned as a unified graphic statement.
L'Assiette au Beurre was unique among contemporary periodicals for its focus on visual storytelling, often dedicating entire issues to a single theme or artist. By presenting this cover, the print captures a moment of tension between the state and the press in early twentieth-century France. The work functions as a historical document of political dissent, showcasing the intersection of graphic design and radical journalism. The use of a limited palette, dominated by black ink on a warm, aged paper tone, emphasises the starkness of the subject matter. This piece offers a glimpse into the visual culture of Parisian intellectual circles, where art was frequently employed as a tool for social commentary and protest against institutional authority.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
L'Assiette au Beurre, No. 263 - Diverse Vervaardigers
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