Let's Train Millions of Qualified Workers for 518 New Factories and Plants - Gustavs Klucis
Archival giclée
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Description
A classic 1931 Constructivist photomontage by Gustavs Klucis, promoting industrialisation through a bold, graphic composition of workers and factory infrastructure.
Gustavs Klucis was a primary figure in the development of Soviet photomontage. This work, created in 1931, demonstrates his mastery of the medium, combining photographic elements with bold graphic design to convey a clear ideological message. The composition is structured to guide the viewer through a narrative of industrial progress, featuring portraits of smiling workers alongside a depiction of factory infrastructure. The use of scale is deliberate, with the large number 518 acting as a visual anchor that connects the human element to the industrial goal.
Klucis utilised a restricted colour palette of red, black, and teal, which was common in his propaganda posters of the era. The red provides a high-contrast background that draws attention to the text and the figures. The figures themselves are arranged in a layered fashion, creating a sense of collective movement and purpose. By integrating photography, Klucis sought to bring a sense of reality to the abstract goals of the Five-Year Plan. The work reflects the aesthetic of the Constructivist movement, which prioritised functional design and the integration of art into social and political life. The typography is integrated into the overall design, functioning as a graphic element rather than merely a caption. This piece is a representative example of how visual media was employed to mobilise the workforce during the early Soviet period, focusing on themes of education, industrialisation, and collective identity. The technical execution, involving the careful layering of photographic cut-outs, demonstrates the precision required in early twentieth-century graphic design before the advent of digital tools.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Let's Train Millions of Qualified Workers for 518 New Factories and Plants - Gustavs Klucis
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