Man met hoed in de hand, leunend op krukken - Salomon Savery
Archival giclée
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Description
A detailed seventeenth-century Dutch etching by Salomon Savery, depicting a man leaning on crutches, rendered with precise line work and historical character.
This etching by Salomon Savery captures a solitary figure, a man leaning heavily upon crutches while holding his hat. The work belongs to the tradition of Dutch Golden Age printmaking, where artists frequently documented the lives of common people, beggars, and itinerant travellers. Savery employs a precise, linear technique to define the texture of the man's worn clothing and the weathered wood of his support. The figure is depicted in profile, his posture suggesting a state of physical hardship or infirmity.
The background remains sparse, providing just enough context to suggest a rural or village setting without distracting from the primary subject. The inscription at the top, 'Cap: al verbruit', adds a linguistic layer to the image, typical of the period's interest in combining visual narrative with moralising or descriptive text. Savery, a member of a prominent family of artists, demonstrates a keen eye for human character and social observation. The etching style relies on varied hatching to create shadow and form, demonstrating the technical proficiency common among printmakers of the seventeenth-century Netherlands.
This print offers a glimpse into the social realities of the era, focusing on the marginalised members of society. The composition is balanced, with the verticality of the crutch providing a structural anchor for the leaning figure. As a piece of historical documentation, it provides insight into the dress and daily struggles of the period. The work is presented here as a high-quality fine art print, preserving the delicate line work and tonal qualities of the original copperplate impression. It is an example of the period's fascination with the 'tronie' or character study, where the focus is placed on the individual's appearance and condition rather than a specific historical or biblical narrative.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Man met hoed in de hand, leunend op krukken - Salomon Savery
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