Mistress of Tsuneyoshi with Small Dog - Suzuki Harunobu
Archival giclée
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Description
A refined Ukiyo-e woodblock print by Suzuki Harunobu, depicting a woman and her dog in a quiet, domestic setting overlooking the water.
This woodblock print by Suzuki Harunobu depicts a woman, identified as a mistress of the fifth Tokugawa Shogun, standing within a domestic interior. She is positioned near a shoji screen, adjusting her hair while a small dog sits attentively at her feet. Through the open architecture, a view of the water with a small boat is visible, providing a sense of spatial depth that contrasts with the flattened, decorative treatment of the interior space.
Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single composition. This work displays the characteristic delicate line work and soft colour palette associated with his output. The figure is rendered with the slender, ethereal proportions typical of his style during the mid-eighteenth century. The composition balances the stillness of the indoor scene with the quiet activity on the water, a common trope in Ukiyo-e prints that juxtaposes private life with the broader world.
The print demonstrates the technical precision of the Edo period printing process. The subtle application of colour, particularly the muted tones of the kimono and the architectural elements, creates a harmonious visual experience. The inclusion of the dog adds a touch of domestic intimacy, grounding the figure in a specific, recognisable setting. Harunobu's ability to capture a fleeting moment of quiet contemplation remains a defining feature of his work. This print serves as an example of the refined aesthetic that defined the later years of his career, moving away from the more robust figures of earlier Ukiyo-e artists toward a more graceful, stylised representation of the human form.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mistress of Tsuneyoshi with Small Dog - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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