Nieuwe smeltlamp die metalen doet smelten door middel van stoom of spiritus - Jan Brandes
Archival giclée
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Description
A technical illustration by Jan Brandes depicting a design for a melting lamp, reflecting the scientific curiosity of the late eighteenth century.
This work by Jan Brandes depicts a technical design for a melting lamp, a device intended to liquefy metals using steam or spirits. Brandes, a Dutch clergyman and amateur artist who spent significant time in the East Indies, maintained a vast collection of drawings documenting his observations of nature, local customs, and mechanical inventions. His approach to illustration is characterised by a precise, observational quality that reflects the scientific curiosity of the late eighteenth century.
The drawing provides a clear, functional view of the apparatus. Brandes employs a clean line and a restrained palette to communicate the mechanics of the lamp, focusing on the structural components rather than aesthetic embellishment. The composition is typical of his technical studies, where the primary goal is the accurate representation of form and utility. The paper shows the natural ageing process, with minor foxing and discolouration that provide a sense of its historical provenance as part of his personal journals and sketchbooks.
As a document of industrial and scientific history, this piece offers a glimpse into the experimental spirit of the era. Brandes was not a professional engineer, yet his sketches demonstrate a rigorous attempt to understand and record the physical world. The work is a fine example of the intersection between personal travelogue and scientific record-keeping, capturing the intellectual pursuits of a colonial official during the late 1700s. The clarity of the drawing makes it an excellent choice for those interested in the history of technology, scientific illustration, or the personal archives of the Enlightenment period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Nieuwe smeltlamp die metalen doet smelten door middel van stoom of spiritus - Jan Brandes
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