Omnium rerum Vicissitudo est - Zacharias Dolendo
Archival giclée
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Description
A detailed Dutch Mannerist engraving depicting an allegorical globe surrounded by figures, representing the cyclical and changing nature of all things.
This engraving by Zacharias Dolendo presents a complex allegorical vision of the world, titled Omnium rerum Vicissitudo est, which translates to 'The vicissitude of all things is'. The composition centres on a terrestrial globe, around which various figures are arranged in a circular formation. These figures represent the shifting nature of human existence and the cyclical movement of time. The style is characteristic of Northern Mannerism, featuring elongated forms, dynamic poses, and a high degree of technical precision in the line work.
At the apex, a radiant figure sits atop the globe, suggesting a divine or celestial oversight of earthly affairs. The surrounding figures, some partially draped and others in motion, interact with the globe in ways that imply the constant turning of the world and the inevitable changes that accompany it. The lower portion of the print features an elaborate cartouche containing the Latin title, executed with the decorative flourish common to late sixteenth-century printmaking. The background is rendered with fine cross-hatching, providing a neutral space that allows the figures and the globe to emerge with clarity.
Dolendo, a Dutch engraver active in the late sixteenth century, demonstrates a mastery of the burin here. The work reflects the period's fascination with moralising themes and the use of classical iconography to convey philosophical concepts. The arrangement of the figures creates a sense of perpetual motion, reinforcing the title's message regarding the transient nature of worldly events. This print serves as a fine example of the intellectual and artistic climate of the Netherlands during the late Renaissance, where print culture functioned as a primary medium for the dissemination of complex allegorical and humanistic ideas to a wider audience of scholars and collectors.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Omnium rerum Vicissitudo est - Zacharias Dolendo
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