Opstandige scheepsbemanning te Amsterdam, 1629 - Simon Fokke
Archival giclée
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Description
An eighteenth-century etching by Simon Fokke depicting a historical scene of a mutinous ship crew in Amsterdam during 1629.
This etching by Simon Fokke depicts a historical scene of civil unrest in Amsterdam, specifically referencing an event from 1629 involving a mutinous ship crew. Fokke, a prolific Dutch engraver and draughtsman active during the eighteenth century, frequently produced works that documented historical narratives and urban life. His technique relies on precise, controlled lines to define the architectural forms of the Dutch buildings and the agitated movement of the crowd gathered in the square.
The composition is structured around a central building, likely a civic or administrative structure, which serves as the backdrop for the gathering. The artist employs cross-hatching to create depth in the shadows of the building and the sky, while the figures in the foreground are rendered with quick, gestural strokes to convey their collective energy. The inclusion of a caption at the base, written in German, identifies the subject as the 'Mutiny of the Boatswains'.
Fokke was well-regarded for his ability to translate complex historical accounts into accessible visual formats. His work often appeared in books and historical chronicles of the period. This print provides a window into the eighteenth-century interpretation of seventeenth-century Dutch history. The style is characteristic of the period, favouring clarity and narrative focus over atmospheric abstraction. The print captures the tension of the moment through the arrangement of the figures and the stark contrast between the solid, static architecture and the dynamic, chaotic group of people below. It is a fine example of the illustrative printmaking tradition that flourished in the Netherlands, where artists documented both contemporary events and significant moments from the national past for a growing audience of collectors and readers.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Opstandige scheepsbemanning te Amsterdam, 1629 - Simon Fokke
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