Paard krijgt hoefijzers in een smederij - Cornelis Albertus Johannes Schermer
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Description
A detailed etching by Cornelis Albertus Johannes Schermer depicting a horse being shod in a traditional smithy, capturing a moment of rural industry.
This etching by the Dutch artist Cornelis Albertus Johannes Schermer captures a quiet, industrious moment within a traditional smithy. The composition focuses on the interaction between the farrier and the horse, a common subject in nineteenth-century genre art that celebrates rural labour and the relationship between human and animal. The artist employs a dense network of cross-hatching to define the interior space, creating a sense of shadow and atmosphere that contrasts with the lighter areas where the figures are positioned.
The horse stands patiently as the farrier works on its hoof, a pose that suggests a routine task performed with care. In the background, another figure is visible near the forge, adding depth to the scene and suggesting the ongoing activity of the workshop. The lines are precise and controlled, demonstrating the technical skill required for the etching process. Schermer uses varying line weights to distinguish between the textures of the horse's coat, the rough floor of the smithy, and the metallic tools present in the environment.
This work reflects the interest in everyday life and rural trades that occupied many artists of the period. By choosing a subject rooted in the practicalities of farm life, Schermer provides a glimpse into a world that was becoming increasingly mechanised. The print does not rely on dramatic flair, but rather on the observation of form and the interplay of light and dark. It is a study of movement and stillness, rendered with a focus on the physical reality of the smithy. The composition is balanced, with the horse serving as the central element that anchors the viewer's attention. The surrounding architectural details, such as the doorway and the wheel leaning against the wall, provide context for the setting, grounding the scene in a tangible, recognisable reality.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Paard krijgt hoefijzers in een smederij - Cornelis Albertus Johannes Schermer
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