Parade: Ladies and Gentlemen, one need not have the trifling 18 million... - Denis-Auguste-Marie Raffet
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A biting 1834 political lithograph by Denis-Auguste-Marie Raffet, published in 'La Caricature', satirising the financial excesses of the July Monarchy.
This lithograph by Denis-Auguste-Marie Raffet, titled 'Parade', was published in the satirical journal 'La Caricature' in 1834. Raffet was a prolific French illustrator known for his military subjects and his contributions to the biting political commentary of the July Monarchy. The work depicts a theatrical scene on a makeshift stage, where a barker addresses a crowd, mocking the financial excesses and political instability of the era.
The composition is typical of 19th-century French lithography, utilising a monochromatic palette to focus on the expressive, often grotesque, features of the figures. The central character, dressed in period attire, gestures towards a document labelled 'Liste Civile', a direct reference to the state funds allocated to the monarch. The surrounding figures, including a clergyman and various onlookers, are rendered with the sharp, observational wit that defined Raffet's output. The text below the image provides the punchline, suggesting that one does not need eighteen million to witness the 'best of republics', a sarcastic jab at the perceived corruption of the government.
Raffet's technique demonstrates a mastery of the lithographic stone, employing varied pressure to create depth and texture within the crowd and the stage structure. The work functions as a historical document of the social tensions in Paris during the 1830s, capturing the public cynicism towards the ruling class. By presenting the political scene as a carnival sideshow, Raffet strips away the dignity of the authorities, reducing them to performers in a farce. This print offers a glimpse into the visual culture of the period, where the press served as a primary vehicle for dissent and public debate. It remains a fine example of the satirical tradition that flourished in France during the nineteenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Parade: Ladies and Gentlemen, one need not have the trifling 18 million... - Denis-Auguste-Marie Raffet
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

