Pear Tree in Blossom - Vincent van Gogh
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Description
A delicate study of a blossoming pear tree in Arles, painted by Vincent van Gogh in 1888 using his signature textured brushwork.
Painted in April 1888, shortly after his arrival in Arles, this work captures the fleeting arrival of spring in Provence. Vincent van Gogh produced a series of orchard paintings during this period, fascinated by the sudden transformation of the trees as they burst into flower. The composition focuses on a single, slender pear tree, its branches laden with white blossoms that contrast against the pale, textured ground.
Van Gogh employs his characteristic impasto technique, applying paint with visible, rhythmic strokes that provide the surface with a tactile quality. The palette is dominated by soft ochres, muted yellows, and pale blues, reflecting the specific light of the southern French spring. The background features a stone wall and a glimpse of a fence, elements that ground the tree within a domestic garden setting. The artist's interest in Japanese woodblock prints is evident here, particularly in the flattened perspective and the deliberate placement of the tree against the backdrop.
Unlike his later, more turbulent works, this piece maintains a sense of quiet observation. The focus remains on the structural form of the tree and the delicate nature of the petals. By capturing the tree in its early stages of growth, Van Gogh documents a specific moment in the seasonal cycle. The work remains a clear example of his ability to translate the natural world into a personal visual language through colour and brushwork. The signature 'Vincent' appears in the lower left corner, a common practice for the artist during his time in Arles.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pear Tree in Blossom - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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