Peasant and Peasant Woman Planting Potatoes - Vincent van Gogh
Archival giclée
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Description
A powerful study of rural labour by Vincent van Gogh, capturing two peasants working the earth in earthy, muted tones.
Painted in 1889, this work captures a moment of rural labour during Van Gogh's time at the asylum in Saint-Rémy-de-Provence. The composition focuses on two figures, a man and a woman, bent over the earth in a rhythmic, repetitive motion. Their forms are simplified, merging with the soil they work, which reflects the artist's interest in the dignity of peasant life. This subject matter echoes his earlier Dutch period, yet the application of paint shows the stylistic shifts he underwent after moving to France.
The palette is dominated by earthy tones, ochres, and muted greens, which ground the figures within the field. The sky is rendered with pale, horizontal strokes, suggesting the early light of dawn or the fading glow of dusk. Van Gogh uses heavy, visible brushwork to define the contours of the figures and the texture of the ploughed ground. The lack of fine detail in the faces or clothing shifts the viewer's attention to the physical act of planting, rather than individual portraiture.
Van Gogh often looked to the works of Jean-François Millet for inspiration regarding the depiction of agricultural workers. In this piece, he avoids romanticising the scene, choosing instead to present the raw, physical connection between the labourers and the land. The figures are positioned in the foreground, creating a sense of proximity that allows the viewer to observe the weight and effort of their task. The horizon line is kept low, giving the figures a monumental presence against the vast, open field. This painting remains a clear example of his focus on the human condition and his ability to find visual power in the mundane activities of daily life.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Peasant and Peasant Woman Planting Potatoes - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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