Pengwern, Corn & Fulling Mills, with Pont y Pandy, near Festiniog - Paul Sandby
Archival giclée
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Description
A detailed 1776 aquatint by Paul Sandby, capturing the mills and waterfall at Pengwern, near Festiniog, in the Welsh countryside.
This aquatint by Paul Sandby depicts the industrial and natural character of the Welsh countryside during the late eighteenth century. Sandby, often called the father of English watercolour, was a pioneer in the development of the aquatint process. This print captures the mills at Pengwern, situated near the bridge of Pont y Pandy, close to Festiniog. The composition balances the rugged, mountainous terrain with the human activity of the corn and fulling mills.
In the foreground, figures rest by the water, providing a sense of scale against the dramatic waterfall and the surrounding crags. The artist employs a monochromatic sepia tone, which allows for a focus on the tonal variations and the texture of the rock and foliage. The print reflects the period interest in the picturesque, a movement that sought to find beauty in the rugged, irregular, and untamed aspects of the British landscape.
Sandby travelled extensively through Wales, documenting its topography with precision. His work provided many in Britain with their first visual understanding of these remote regions. The inclusion of the mills indicates the integration of early industrial structures into the natural environment, a common theme in topographical art of the era. The print is a fine example of the technical skill involved in early printmaking, where the artist had to carefully manage the acid biting of the copper plate to achieve the soft, wash-like effects characteristic of the aquatint medium. This specific work was published in 1776, reflecting the era's fascination with documenting the nation's geography and its evolving economic activities.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pengwern, Corn & Fulling Mills, with Pont y Pandy, near Festiniog - Paul Sandby
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