Petits! petits! petits!... venez! venez! venez! venez donc Dindons! - Honoré Daumier
Archival giclée
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Description
A satirical 1834 lithograph by Honoré Daumier depicting King Louis-Philippe I as a bandit feeding his ministers, who are portrayed as turkeys.
This lithograph by Honoré Daumier, published in the journal La Caricature in 1834, offers a biting critique of King Louis-Philippe I. Daumier depicts the monarch as a bandit, complete with an eye patch and a curved blade, luring his ministers, represented as turkeys, with scraps of paper labelled with monetary values. The title, which translates to 'Little ones! little ones! little ones! come! come! come! come here turkeys!', mocks the perceived corruption and the transactional nature of the July Monarchy's political appointments.
Daumier was a master of the lithographic medium, using it to challenge the authority of the French state. His work often focused on the social and political inequalities of his time. In this piece, the king is shown feeding his subordinates, who are depicted as foolish birds, suggesting a system built on bribery and sycophancy. The composition is stark, focusing on the interaction between the central figure and the poultry, with the rough, expressive lines characteristic of Daumier's style. The artist's ability to capture the grotesque in human form allowed him to communicate complex political ideas through simple, visual metaphors. This print is a primary example of the satirical press in nineteenth-century France, where artists used their craft to hold power to account. The work remains a clear record of the tensions between the monarchy and the public during this period, demonstrating the artist's sharp eye for human folly and institutional decay.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Petits! petits! petits!... venez! venez! venez! venez donc Dindons! - Honoré Daumier
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