Phaethusa and Lampetie, the Sisters of Phaeton, Turn into Trees - Johann Wilhelm Baur
Archival giclée
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Description
A detailed seventeenth-century etching by Johann Wilhelm Baur depicting the mythological transformation of the Heliades into poplar trees.
This etching by Johann Wilhelm Baur depicts a moment from Ovid's Metamorphoses. The narrative concerns the Heliades, the sisters of Phaeton, who are overcome with grief following their brother's death. As they mourn at his tomb, they undergo a physical transformation into poplar trees. Baur captures the precise instant of this metamorphosis, showing the figures with their arms raised, their fingers already elongating into leafy branches.
Baur, a German artist active during the early seventeenth century, was known for his technical precision in printmaking. His work often features small-scale figures set within expansive, atmospheric environments. In this composition, the artist balances the emotional weight of the scene with a clear, structured approach to the classical subject matter. The figures are rendered with fine, controlled lines, while the tomb serves as a central anchor for the composition. The surrounding environment, including the water and the trees, provides a sense of place that grounds the mythological event in a tangible reality.
The etching demonstrates the artist's ability to convey movement and change through static imagery. The transition from human form to arboreal structure is handled with a focus on the physical gestures of the sisters. Baur's work reflects the broader interest in classical literature and mythology that defined much of the artistic production in Europe during this period. This print is a fine example of his narrative style, which combines careful observation with a clear sense of storytelling. The work is executed with a delicate touch, allowing the viewer to observe the fine details of the drapery and the textures of the emerging foliage. It remains a clear representation of the Baroque interest in dramatic, transformative moments drawn from ancient texts.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Phaethusa and Lampetie, the Sisters of Phaeton, Turn into Trees - Johann Wilhelm Baur
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