Pheasant Display - Charles Tunnicliffe
Archival giclée
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Description
A detailed watercolour study of a male and female pheasant in a woodland setting, capturing the precise plumage and natural behaviour of the birds.
Charles Tunnicliffe, a master of British wildlife art, captures the courtship behaviour of the common pheasant with scientific precision and artistic sensitivity. This work depicts the male bird in full display, his plumage rendered with meticulous attention to the iridescent greens, coppers, and barred patterns of his tail feathers. Beside him, the female pheasant remains more muted, her mottled brown and buff feathers providing a natural camouflage against the forest floor.
Tunnicliffe possessed an encyclopaedic knowledge of avian anatomy, a skill honed through years of observation in the rural landscapes of Anglesey. His technique here relies on controlled watercolour washes and fine brushwork to define the texture of the feathers and the surrounding flora. The composition is grounded in the immediate environment, featuring woodland plants such as celandine and primrose, which provide a seasonal context for the birds. Unlike many contemporary illustrators who favoured stylised or romanticised depictions, Tunnicliffe maintained a rigorous focus on the physical reality of his subjects. He avoids unnecessary embellishment, allowing the natural form and colour of the pheasants to dictate the visual narrative. This approach reflects his background as a printmaker and illustrator, where clarity of form was paramount. The work serves as a record of the British countryside, documenting the quiet, often overlooked moments of avian life with a level of detail that rewards close inspection. His ability to balance the technical requirements of natural history illustration with a genuine sense of place makes this piece a representative example of his mid-twentieth-century output.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pheasant Display - Charles Tunnicliffe
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