Plum Blossoms in the Forest of Ikuta - Tsukioka Yoshitoshi
Archival giclée
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Description
A dramatic woodblock triptych by Tsukioka Yoshitoshi depicting samurai in combat during the Battle of Ikuta, set against a backdrop of plum blossoms.
This triptych by Tsukioka Yoshitoshi depicts a dramatic scene from the Genpei War, specifically the Battle of Ikuta. As one of the final masters of the Ukiyo-e tradition, Yoshitoshi utilised the woodblock medium to capture intense kinetic energy and historical narrative. The composition features samurai engaged in combat amidst the dark, atmospheric branches of plum trees, which provide a stark contrast to the colourful, detailed armour worn by the warriors.
Yoshitoshi was known for his ability to infuse traditional subjects with a sense of psychological tension and movement. In this work, the figures are arranged across three panels, creating a wide, cinematic view of the skirmish. The artist employs a palette that balances the deep, nocturnal blues of the background with the bright, patterned textiles of the warriors' garments. Each figure is identified by cartouches, a common feature in Japanese prints of this period, which serve to ground the scene in specific historical lore.
The print belongs to the series Bravery-Beauty of the Four Seasons, which explores the intersection of martial prowess and seasonal motifs. The plum blossoms, often associated with resilience and the arrival of spring, offer a quiet counterpoint to the violence of the battlefield. Yoshitoshi's draftsmanship is evident in the precise lines of the swords and the expressive, contorted postures of the fighters. This work represents the late Meiji period's approach to historical subjects, where traditional themes were reinterpreted through a more dynamic and theatrical lens. The print remains a significant example of the artist's technical skill in managing complex, multi-panel compositions while maintaining a clear narrative focus.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Plum Blossoms in the Forest of Ikuta - Tsukioka Yoshitoshi
Artist Biography
Yoshitoshi
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
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