Police Superintendant's Party: A Gift of Food and Drink - Tsukioka Yoshitoshi
Archival giclée
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Description
A detailed Meiji-era triptych by Tsukioka Yoshitoshi depicting a banquet hosted by the Metropolitan Police, blending traditional Japanese customs with western influences.
This triptych by Tsukioka Yoshitoshi captures a specific social gathering during the Meiji period, a time of rapid westernisation in Japan. The scene depicts a banquet hosted by the Metropolitan Police, where traditional Japanese elements merge with imported European customs. The presence of western-style chairs, chandeliers, and military uniforms worn by the officers illustrates the cultural shifts occurring in Tokyo during the late nineteenth century.
Yoshitoshi, a master of the woodblock medium, employs a detailed approach to document the interior space. The composition is divided across three panels, creating a wide view of the festivities. Guests are shown in various states of relaxation, with some figures interacting with large sake barrels, while others are seated at tables covered in patterned cloths. The floor features a repeating floral motif, adding a sense of order to the busy room. The artist uses a palette that balances the muted tones of the uniforms with the brighter pinks of the lanterns and the deep reds of the table coverings.
As a late practitioner of the Ukiyo-e tradition, Yoshitoshi often looked towards contemporary life for his subjects. This work functions as a visual record of the social hierarchy and the adoption of foreign aesthetics by the Japanese elite. The figures are rendered with precise lines, typical of the artist's mature style, which moved away from the more stylised forms of his predecessors. The inclusion of text within the print provides context for the event, identifying the participants and the nature of the celebration. This print offers a view into the intersection of traditional Japanese hospitality and the modernising influences that defined the Meiji era.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Police Superintendant's Party: A Gift of Food and Drink - Tsukioka Yoshitoshi
Artist Biography
Yoshitoshi
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
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