Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Portrait of Don Giulio Vigoni as a child - Francesco Hayez
Regular price
$220.00 NZD
Sale price
$220.00 NZD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A refined nineteenth-century portrait by Francesco Hayez, depicting the young Don Giulio Vigoni in a classical setting with doves.
Francesco Hayez, a leading figure in Italian Romanticism, painted this portrait of the young Don Giulio Vigoni during the mid-nineteenth century. The composition places the child in a formal, staged setting, typical of the aristocratic portraiture of the period. Giulio is depicted standing beside a large, stone pedestal adorned with a sculpted lion head, which provides a sense of classical gravity to the scene. He wears a dark blue tunic and light, striped trousers, his gaze directed slightly away from the viewer with a contemplative expression. To the right, two white doves rest on the stone base, tethered by a thin string held loosely in the boy's hand. This inclusion of animals, often symbolic of innocence or peace, adds a narrative layer to the portrait. The background features a painted backdrop of a wooded area and a distant, hazy mountain view, which creates a sense of depth and atmospheric perspective. Hayez demonstrates his technical skill through the careful rendering of textures, from the soft fabric of the child's clothing to the weathered stone of the pedestal and the delicate plumage of the birds. This work reflects the artist's ability to balance formal academic training with the emotive qualities associated with the Romantic movement. The lighting is controlled, focusing attention on the figure of the child while maintaining a harmonious relationship with the surrounding elements. The palette is restrained, relying on the contrast between the deep blue of the tunic and the neutral tones of the stone and landscape. As a portrait, it captures a specific moment of childhood, presented with the dignity and precision that defined Hayez's career in Milanese society.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Portrait of Don Giulio Vigoni as a child - Francesco Hayez
Regular price
From $130.00 NZD
Sale price
From $130.00 NZD
Regular price
Fine Art Framed / A4 (21x29.7 cm) / Black frame
Artist Biography
Francesco Hayez
The Kiss is a political painting disguised as a love scene. Hayez painted it in 1859, the year Piedmont and France allied against Austria, and the couple's medieval costumes encode a message about Italian unification that his audience understood immediately. He painted three versions. In the 1920s, Perugina, the chocolate manufacturer, adapted the image for the box of its "Baci" chocolates, where it remains today.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Canvas
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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