Portrait of Maddalena Doni - Raphael
Archival giclée
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Made to order
Description
A fine art print of Raphael's 1506 portrait of Maddalena Doni, capturing the balance and elegance of the Italian High Renaissance.
This fine art print reproduces the portrait of Maddalena Doni, painted by Raphael in 1506. The work forms part of a pair of portraits commissioned by the wealthy merchant Agnolo Doni to celebrate his marriage to Maddalena Strozzi. Raphael, then active in Florence, drew inspiration from the compositional techniques of Leonardo da Vinci, particularly the use of the half-length format and the placement of the subject against a distant, atmospheric landscape.
Maddalena is depicted with a calm, composed expression, her hands resting gently one over the other in a manner that echoes the pose of the Mona Lisa. Her attire, including the fine jewellery and the structured bodice, reflects the status of the Florentine merchant class during the early sixteenth century. The soft light models her features, creating a sense of volume and physical presence. Behind her, the landscape recedes into a hazy horizon, a common device in Italian portraiture of the period to provide depth and a sense of place.
This print captures the clarity and balance characteristic of Raphael's Florentine period. The composition is structured around the central figure, with the gentle curves of her shoulders and the horizontal line of her arms creating a stable, harmonious arrangement. The original oil on panel remains a significant example of High Renaissance portraiture, demonstrating the artist's ability to combine psychological observation with formal elegance. Our museum-grade print preserves the tonal nuances of the original, offering a clear view of the brushwork and the subtle transitions between light and shadow that define the subject's form.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Maddalena Doni - Raphael
Artist Biography
Raphael
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
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