Portrait of Père Tanguy - Vincent van Gogh
Archival giclée
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Description
A striking pencil and ink portrait of the Parisian art dealer Julien Tanguy, rendered with the expressive, rhythmic line work characteristic of Van Gogh's Paris period.
This drawing depicts Julien Tanguy, a Parisian paint grinder and art dealer who provided supplies to many artists in the late 19th century. Van Gogh frequented his shop in Montmartre, where Tanguy displayed works by artists who were then struggling to find a market. This specific study captures the sitter with a direct, frontal gaze, wearing his characteristic wide-brimmed hat.
The execution relies on rhythmic, hatched lines that define the contours of the face and the texture of the clothing. Van Gogh uses varying pressure to create shadow and depth, particularly around the eyes and the folds of the coat. The background features a series of vertical and diagonal marks, suggesting the interior of a studio or shop environment, perhaps hinting at the canvases Tanguy kept in his collection.
Unlike the later, more famous oil portraits of Tanguy which feature Japanese woodblock prints in the background, this drawing focuses on the physical presence of the man himself. The lines are deliberate and energetic, reflecting the artist's approach to drawing during his time in Paris. It offers a glimpse into the personal relationships Van Gogh formed within the artistic community of the city. The work is a study of character, rendered with the economy of line that defines his graphic output from this period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Père Tanguy - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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