Portrait of William Clark - Thomas Annan
Archival giclée
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Description
A nineteenth-century carbon print by Thomas Annan, documenting a portrait of William Clark with the technical precision of the Victorian era.
This work is a photographic reproduction of a painted portrait, captured by the Scottish photographer Thomas Annan. Annan operated a studio in Glasgow and gained recognition for his technical skill in carbon printing, a process valued for its permanence and tonal range. This specific image appears as a plate within a larger volume, documenting the likeness of William Clark. The presentation reflects the nineteenth-century practice of using photography to catalogue and disseminate portraiture that was otherwise confined to private collections or institutional walls.
The composition is straightforward, focusing on the subject's head and shoulders. The lighting is soft, typical of mid-Victorian portraiture, which aimed to convey the dignity and social standing of the sitter. The reproduction retains the texture of the original painting, visible in the subtle brushwork and the depth of the shadows. Annan was known for his meticulous approach to documentation, and this print demonstrates his ability to translate the nuances of oil paint into the monochromatic medium of photography. The inclusion of handwritten numbering at the base of the image suggests its function as an archival record, likely part of a series or a commemorative publication.
Thomas Annan is often associated with his social documentary work, particularly his photographs of Glasgow's closes and wynds. However, his commercial studio work, such as this portrait, provided the financial stability for his more personal projects. This print offers a glimpse into the professional output of a photographer who bridged the gap between commercial portraiture and historical documentation. The clarity of the image allows for an examination of the sitter's features and the formal attire characteristic of the era. It remains a clear example of how photography served as a tool for preserving the visual history of individuals during the Victorian period.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of William Clark - Thomas Annan
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