Portrait of Zeretelli - Max Beckmann
Archival giclée
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Description
A 1927 portrait by Max Beckmann featuring the performer Zeretelli in a striking blue costume, rendered with bold lines and a stark, modern aesthetic.
Max Beckmann painted this portrait of the Georgian singer and performer Zeretelli in 1927. The work captures the subject in a seated position, wearing a distinctive blue and white costume that suggests a theatrical or circus-related persona. Beckmann employs a bold, graphic approach to the figure, using heavy black outlines to define the anatomy and the folds of the clothing. The composition is structured around the verticality of the chair, which acts as a rigid frame for the sitter.
The colour palette is dominated by cool tones, specifically the saturated blue of the costume contrasted against the muted grey of the background and the dark wood of the chair. Beckmann avoids soft transitions, preferring instead to delineate planes of colour that flatten the space. This technique is characteristic of his work during the 1920s, a period when he moved away from his earlier, more chaotic expressionist style toward a sharper, more detached observation of his subjects.
Zeretelli is depicted with a knowing, slightly cynical expression. His posture is relaxed yet deliberate, with one hand resting on his hip and the other draped over his knee. The sharp angles of his face and the elongated fingers are typical of Beckmann's figurative distortions, which serve to heighten the psychological tension within the frame. The painting does not attempt to idealise the sitter, but rather presents a stark, unvarnished character study. The background is kept minimal, ensuring that the viewer's attention remains fixed on the figure and his enigmatic presence. This work provides a clear example of the artist's ability to combine theatricality with a grounded, physical reality, resulting in a portrait that feels both immediate and constructed.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Zeretelli - Max Beckmann
Artist Biography
Max Beckmann
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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