Saint Jerome in His Chamber - Lucas van Leyden
Archival giclée
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Description
A detailed 1521 engraving by Lucas van Leyden, depicting Saint Jerome in a contemplative study with his traditional lion companion.
This engraving by Lucas van Leyden, dated 1521, depicts Saint Jerome in a moment of quiet contemplation. The saint rests his head upon a large book, his finger marking a page, while a human skull sits prominently on the desk before him. This inclusion of the skull serves as a memento mori, a reminder of the transient nature of human life. To the right, the saint's traditional companion, a lion, rests on the floor, adding a sense of domesticity to the scholarly setting.
Van Leyden demonstrates his mastery of the burin through the varied textures achieved within the composition. The lines define the heavy folds of the saint's drapery, the smooth surface of the skull, and the rougher texture of the lion's fur. The architectural elements, including the column base and the circular window, provide a sense of spatial depth. The artist's monogram and the date are inscribed on a small cartouche attached to the desk, a common practice for printmakers of the period to assert authorship.
As a leading figure of the Northern Renaissance, van Leyden was influenced by the technical precision of Albrecht Dürer, yet he maintained a distinct approach to narrative and characterisation. The scene avoids excessive ornamentation, focusing instead on the psychological state of the subject. The lighting is subtle, suggesting a source from the upper left that models the forms and creates soft shadows across the chamber. This work is an example of the high level of technical skill present in early sixteenth-century Dutch printmaking, where the artist balanced theological subject matter with a keen observation of physical reality. The composition remains balanced, with the figure of Jerome anchoring the left side and the lion providing a counterweight on the right, creating a harmonious arrangement within the confines of the small plate.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint Jerome in His Chamber - Lucas van Leyden
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