Scenographia of perspectiefleer - Jan Brandes
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A technical study by Jan Brandes illustrating the geometric principles of perspective drawing through diagrams and descriptive notes.
This document, titled Scenographia of perspectiefleer, originates from the personal collection of Jan Brandes, a Dutch clergyman and artist who spent significant time in the East Indies. The work functions as a pedagogical exercise, illustrating the mathematical and geometric principles required to construct a perspective drawing. Brandes employs a combination of Latin text and schematic diagrams to explain the transition from a two-dimensional ground plan to a three-dimensional representation.
The page is divided into clear sections, beginning with definitions of the 'delineatio plana simplex' (simple ground plan) and moving towards the application of the horizon line and the 'oculus' (the vanishing point). The artist provides a practical example by sketching a simple landscape featuring trees and a distant hill, demonstrating how these elements align with the theoretical horizon line. The annotations are precise, reflecting the rigorous approach to draughtsmanship common among educated individuals of the eighteenth century.
Visually, the work is a study in clarity. The ink lines are thin and deliberate, serving the purpose of instruction rather than aesthetic ornamentation. The wash is applied sparingly to differentiate between the sky and the earth, maintaining the focus on the geometric structure of the composition. This piece offers a glimpse into the intellectual habits of Brandes, who documented his surroundings and his own learning processes with equal care. It is a rare example of a personal study sheet that bridges the gap between scientific theory and artistic practice. The aged paper and handwritten notes provide a tactile quality, grounding the abstract concepts in the physical reality of the artist's workspace. This print is suitable for those interested in the history of science, technical illustration, or the personal archives of eighteenth-century travellers.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Scenographia of perspectiefleer - Jan Brandes
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

