Self-portrait - Christopher Wood
Archival giclée
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Description
A 1927 self-portrait by British artist Christopher Wood, depicting the painter in his studio with a Parisian cityscape in the background.
This self-portrait by Christopher Wood, painted in 1927, captures the artist during his time in Paris. Wood presents himself with a direct, steady gaze, positioned before a balcony that overlooks a dense urban cityscape. The composition balances the figure of the artist with the architectural forms of the buildings behind him, creating a sense of spatial depth that remains grounded in the two-dimensional surface of the canvas.
Wood is depicted wearing a distinctive patterned jumper, which serves as a visual anchor for the composition. His attire and the presence of his painting equipment on the table nearby suggest a moment of professional reflection. The palette is composed of muted blues, greys, and earthy tones, which reflect the atmospheric quality of the city environment. His brushwork is controlled, favouring clear outlines and solid forms over painterly abstraction.
As a member of the Seven and Five Society, Wood was associated with the development of British Modernism. His work often synthesised influences from his travels across Europe, particularly the French post-impressionist tradition. This painting demonstrates his ability to combine personal observation with a structured approach to form. The inclusion of the painting box and brushes provides a glimpse into his working process, grounding the portrait in the reality of his daily life as a painter. The work remains a clear example of his technical approach during the late 1920s, showing his preference for clarity and a deliberate, measured application of paint. The urban backdrop, with its chimneys and rooftops, provides a context for his life in Paris, a city that occupied a central place in his artistic development.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Self-portrait - Christopher Wood
Artist Biography
Christopher Wood
Born in Knowsley, Liverpool in 1901, Wood abandoned medicine to study at the Académie Julian in Paris from 1921. The social world he entered was remarkable: he moved through Cocteau's circle and was taken up by Diaghilev's Ballets Russes, even designing sets for a production that was never staged. By the mid-1920s he had joined both the London Group and the Seven and Five Society, painting alongside Ben and Winifred Nicholson.
His breakthrough came partly through patronage. Lucy Wertheim began buying his work after his 1929 solo exhibition at Tooth's Gallery on Bond Street and was planning his first major retrospective for October 1930 when he died. His final summers in Brittany produced some of his finest paintings: harbour scenes and chapels rendered with a directness that owed something to Wallis, something to Post-Impressionism, and a great deal to his own particular handling of colour.
Wood never lived to see how thoroughly his reputation would hold. Posthumous exhibitions followed in 1931 and 1932, and works appeared in the 1938 Venice Biennale. His gravestone at Salisbury was carved by Eric Gill. Today his Breton coastal scenes command six-figure sums at auction, reflecting the sustained appeal of that short, fractured career.
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