Self Portrait with Crossed Arms - Oskar Kokoschka
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A raw, psychological self-portrait by Oskar Kokoschka, painted in 1909. This work captures the artist's early Expressionist style through intense colour and direct, agitated brushwork.
Oskar Kokoschka painted this self-portrait in 1909, during his early years in Vienna. The work captures the artist at a time when he was moving away from the decorative influence of the Vienna Secession toward a more raw, psychological mode of representation. His brushwork is agitated and direct, focusing on the physical presence of the sitter rather than a polished finish.
The composition features the artist with his arms crossed, a posture that conveys a sense of defensive introspection. His gaze is fixed, directed toward the viewer with an intensity that characterises much of his early portraiture. The background is composed of blocks of colour, which serve to isolate the figure and push him toward the front of the picture plane. This technique creates a tension between the subject and his environment, suggesting a state of internal conflict or unease.
Kokoschka uses a palette of deep blues, ochres, and reds to define the form. The application of paint is heavy, with visible strokes that trace the contours of his face and the folds of his suit. By stripping away extraneous detail, the artist directs attention to the psychological state of the subject. This approach was typical of the Expressionist movement, which sought to externalise inner experience through distortion and colour. The work remains a primary example of Kokoschka's ability to capture the subjective reality of his subjects, providing a window into the anxieties of the early twentieth-century Viennese intellectual circle.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Self Portrait with Crossed Arms - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

