Self-Portrait with Gray Felt Hat - Vincent van Gogh
Archival giclée
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Description
A classic self-portrait by Vincent van Gogh, painted in 1887 during his formative years in Paris.
Painted during his time in Paris, this self-portrait captures Vincent van Gogh at a period of artistic transition. The work displays his experimentation with colour theory and the application of paint, influenced by the Parisian avant-garde. Van Gogh employs a technique of short, rhythmic brushstrokes that define the contours of his face and the texture of his clothing. The palette is dominated by muted tones, yet it contains deliberate contrasts between the cool blue of his eyes and the warm, reddish hues of his beard and skin.
The composition is direct, focusing on the artist's gaze. He wears a grey felt hat, a common accessory for the period, which provides a neutral frame for his features. The background is rendered in a textured, almost stippled manner, typical of his work from 1887. This approach creates a sense of movement across the surface of the canvas. Unlike his later, more turbulent works, this portrait maintains a controlled structure. It offers a clear view into his technical development as he moved away from the darker palettes of his earlier Dutch period toward the brighter, more expressive style he would later refine in the south of France.
This print captures the specific impasto quality of the original oil painting. The layering of pigment is visible in the brushwork, particularly in the jacket and the hat. It is a study of light and form, showing the artist's focus on capturing his own likeness through a systematic application of colour. The work remains a primary example of his self-analytical practice, where he used his own image to test new methods of painting without the expense of hiring models.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Self-Portrait with Gray Felt Hat - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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