Still Life: Glass with Wild Flowers - Vincent van Gogh
Archival giclée
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Description
A study of wild flowers in a glass vase, painted by Vincent van Gogh in 1890 using his signature expressive brushwork and bold colour contrasts.
Painted in 1890, this work captures a simple arrangement of wild flowers held within a glass vessel. Vincent van Gogh produced this piece during his final months in Auvers-sur-Oise. The composition focuses on the interplay between the delicate stems and the transparent container, set against a background that shifts between shades of blue and yellow.
The artist employs his characteristic brushwork, applying paint with visible, directional strokes that define the form of the glass and the organic shapes of the flora. The colour palette relies on the contrast between the cool blue tones of the background and the warmer yellow surface upon which the glass rests. This juxtaposition creates a sense of balance within the frame. The glass itself is rendered with quick, rhythmic marks that suggest its transparency and the refraction of light through the water held inside.
Van Gogh often turned to floral subjects during his career, using them to explore colour theory and the application of paint. In this instance, the focus remains on the immediate observation of the subject matter. The lack of complex spatial depth directs the viewer to the texture of the paint and the specific arrangement of the flowers. The work reflects the artist's interest in capturing the essence of natural forms through a subjective lens, rather than through strict realistic representation. The edges of the glass and the petals are defined by dark outlines, a technique that provides structure to the composition. This piece remains a clear example of the artist's late style, where the application of paint became increasingly expressive and direct, prioritising the physical presence of the medium on the canvas surface.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life: Glass with Wild Flowers - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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