Still Life with Passion Flowers - Elias van den Broeck
Archival giclée
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Description
A detailed Dutch Golden Age still life featuring passion flowers, a snail, and a lizard, rendered with scientific precision against a dark background.
Elias van den Broeck, a Dutch painter active during the late seventeenth and early eighteenth centuries, produced this study of passion flowers. The composition adheres to the conventions of the Dutch Golden Age, where artists focused on the precise observation of botanical specimens. The passion flower, or Passiflora, is rendered with attention to its complex structure, including the corona and stamens. Van den Broeck places these blooms against a dark, atmospheric background, a technique used to draw the eye toward the illuminated petals and foliage.
Beyond the floral elements, the work incorporates small creatures, such as a snail and a lizard, positioned near the base of the arrangement. This inclusion of fauna is a common feature in the period's still-life painting, often serving to introduce a sense of movement or to suggest the cycle of life and decay. The presence of a split fruit reveals seeds, further adding to the narrative of natural development. The artist employs a muted colour palette, relying on subtle shifts in tone to define the forms rather than relying on high-contrast saturation. The paint application is controlled, allowing for the fine rendering of textures, from the smooth surface of the fruit to the rougher appearance of the stone ledge.
Van den Broeck was a student of Cornelis Kick and later worked in Amsterdam. His output is characterised by these dark, moody arrangements that prioritise scientific accuracy alongside aesthetic balance. This print captures the fine craquelure of the original oil painting, preserving the historical character of the surface. It offers a view into the botanical interests of the era, where exotic plants were often documented with the same rigour as portraits or historical scenes. The composition remains balanced, with the trailing vines providing a sense of natural growth that contrasts with the static nature of the stone support.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life with Passion Flowers - Elias van den Broeck
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