Still Life with Quinces, Medlars and a Glass - Martinus Nellius
Archival giclée
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Description
A classic Dutch Golden Age still life featuring quinces, medlars, and a glass, rendered with precise light and shadow.
This composition by Martinus Nellius belongs to the tradition of Dutch Golden Age still life painting. Nellius, active in Leiden during the late seventeenth century, focused his practice on the depiction of fruit and glassware. The work displays a characteristic arrangement of quinces and medlars placed upon a stone ledge, set against a dark, atmospheric background that pushes the objects into the foreground.
The artist employs a restrained palette, allowing the golden tones of the fruit to emerge from the shadows. The textures are rendered with precision, from the fuzzy skin of the quince to the translucent quality of the glass vessel containing a dark liquid. A walnut shell lies open, adding a sense of tactile variety to the scene. The lighting is directional, creating soft highlights on the fruit surfaces while leaving much of the surrounding space in deep shadow. This technique directs the viewer's attention to the physical properties of the objects.
Nellius often signed his works with a distinctive script, and his approach to the genre reflects the broader interest in naturalistic observation prevalent in the Netherlands during this period. The inclusion of a glass vessel is a common motif in Dutch still life, providing an opportunity to study the interaction of light with glass and liquid. The composition is balanced, with the verticality of the glass contrasting with the rounded forms of the fruit. The work invites close inspection of the painterly handling of light and shadow, demonstrating the technical skill required to capture the ephemeral nature of organic subjects. It remains a representative example of the quiet, contemplative style favoured by Dutch painters of the era, who sought to elevate everyday objects through careful observation and refined execution.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life with Quinces, Medlars and a Glass - Martinus Nellius
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