Study of Margaret Drummond for 'The Car of Love' - Edward Burne-Jones

Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, conjured worlds of myth and legend on canvas. Born in Birmingham, he initially intended to enter the clergy, but his encounter with the art and writings of John Ruskin and Dante Gabriel Rossetti at Oxford sparked a lifelong devotion to art. Burne-Jones's aesthetic, characterised by elongated figures, ethereal beauty, and a dreamlike atmosphere, offered an escape from the industrial realities of Victorian England.

Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.

Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.