Susanna Accused by the Elders - Abraham de Bruyn
Archival giclée
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Description
A detailed sixteenth-century engraving by Abraham de Bruyn depicting the biblical scene of Susanna facing her accusers.
This engraving by Abraham de Bruyn depicts the biblical narrative of Susanna, a story drawn from the Book of Daniel. The composition presents the moment of accusation, where Susanna stands before the two elders who have falsely charged her. De Bruyn employs a structured, theatrical arrangement, placing the seated elders on a raised dais to the left, while the central figure of Susanna is flanked by armed guards. The scene is framed by architectural elements, including circular windows that offer a glimpse of a distant, simplified horizon.
Technically, the work demonstrates the precision characteristic of late sixteenth-century Dutch printmaking. De Bruyn uses a system of parallel hatching and cross-hatching to define the musculature of the figures, the folds of their garments, and the depth of the interior space. The figures are rendered with a degree of stylisation typical of the period, favouring clear outlines and expressive gestures over anatomical realism. The Latin inscription at the base provides context for the scene, identifying the injustice of the false accusation brought against the protagonist.
As a printmaker active in Antwerp, de Bruyn produced numerous works that circulated widely, often serving as visual aids for moral instruction or theological study. This piece reflects the period's interest in classical and biblical themes, adapted to the aesthetic sensibilities of the Northern Renaissance. The print captures the tension of the confrontation through the interaction of the figures, with the guards acting as intermediaries between the accusers and the accused. The work remains a clear example of the graphic traditions of the Low Countries, where the medium of engraving allowed for the dissemination of complex narratives to a broader audience beyond the immediate reach of large-scale paintings.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Susanna Accused by the Elders - Abraham de Bruyn
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