Teasing the Cat - Tsukioka Yoshitoshi
Archival giclée
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Description
A woodblock print by Tsukioka Yoshitoshi depicting a woman from the Kansei era playing with a cat, from the series Thirty-two Aspects of Customs and Manners.
This woodblock print is part of the series Thirty-two Aspects of Customs and Manners (Fūzoku sanjūnisō), produced by Tsukioka Yoshitoshi in the late Meiji period. The series examines the psychological states and social habits of women from different historical eras. In this specific composition, a woman from the Kansei era (1789-1801) reclines while interacting with a white cat. The artist employs a flattened perspective, typical of the Ukiyo-e tradition, to focus the viewer on the interaction between the subject and the animal.
The woman wears a kimono featuring a bold, geometric pattern of triangles in green and purple, contrasted against a brown ground. Her hair is styled in a traditional fashion, adorned with a decorative hairpin. The cat, wearing a red collar with a small bell, looks towards her with an alert expression. Yoshitoshi captures a quiet, domestic moment, moving away from the more dramatic or violent themes found in his earlier work. The print demonstrates his technical skill in woodblock carving and colour application, particularly in the fine lines of the hair and the subtle shading of the cat's fur.
Yoshitoshi is often regarded as the last great master of the Ukiyo-e genre. His work bridges the gap between traditional Japanese aesthetics and the changing visual culture of the Meiji era. By focusing on the specific customs of the Kansei period, he provides a window into the historical imagination of his contemporaries. The print is a fine example of his ability to combine historical research with a keen eye for human behaviour. The composition is balanced, with the woman's form and the cat's posture creating a gentle, circular movement that draws the eye across the paper.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Teasing the Cat - Tsukioka Yoshitoshi
Artist Biography
Yoshitoshi
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
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