The Annunciation of the Death of the Virgin - Samuel van Hoogstraten
Archival giclée
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Description
A masterful Dutch Golden Age painting depicting the angel's announcement to the Virgin Mary, defined by dramatic light and shadow.
Samuel van Hoogstraten, a pupil of Rembrandt, demonstrates his mastery of light and shadow in this depiction of a solemn religious narrative. The scene captures the moment an angel appears to the Virgin Mary to announce her impending death. The composition relies on a stark contrast between the luminous, ethereal figure of the angel emerging from dark clouds and the grounded, kneeling form of the Virgin.
Van Hoogstraten employs a muted palette, allowing the soft glow surrounding the angel to act as the primary light source. This technique directs the viewer's attention to the interaction between the two figures. The Virgin is shown in a posture of quiet acceptance, her hands crossed over her chest, while the angel holds a palm branch, a traditional symbol of martyrdom and victory over death. The background remains largely obscured in shadow, which creates a sense of intimacy and focuses the narrative on the spiritual encounter.
Unlike many of his contemporaries who favoured busy, crowded compositions, Van Hoogstraten opts for a restrained approach here. The inclusion of a simple red-cushioned stool provides a subtle anchor for the space, grounding the supernatural event in a domestic setting. The artist's attention to the texture of the fabric and the delicate features of the faces reflects his training in the Dutch tradition of careful observation. This work is characteristic of his later career, where he moved away from the heavy impasto of his teacher toward a smoother, more polished finish. The painting invites quiet contemplation, offering a glimpse into the theological concerns of the seventeenth-century Netherlands through a lens of refined technical skill.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Annunciation of the Death of the Virgin - Samuel van Hoogstraten
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