The Entry into Jerusalem - Limbourg brothers
Archival giclée
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Made to order
Description
A fine art print of the Limbourg brothers' illuminated manuscript page depicting the Entry into Jerusalem, showcasing the precision of International Gothic art.
This illumination originates from the Belles Heures of Jean de France, Duc de Berry, a manuscript produced by the Limbourg brothers between 1405 and 1408. The scene depicts the biblical account of Christ entering Jerusalem, mounted upon a donkey, as followers spread garments and branches before him. The composition reflects the stylistic conventions of the early fifteenth century, where the narrative is presented with a focus on clear, legible figures set against a backdrop of architectural detail.
The Limbourg brothers, Paul, Herman, and Jean, were active in the service of the Duke of Berry. Their work is recognised for its precise application of pigment and gold leaf, which allowed for the creation of small-scale scenes with high levels of detail. In this particular folio, the figures are arranged to guide the viewer through the narrative sequence, from the arrival of the central figure to the reception at the city gates. The architectural elements, including the crenellated towers and vertical spires, draw upon contemporary European building styles, grounding the religious subject in a familiar visual language for the medieval patron.
The use of colour is deliberate, with the blue of Christ's robe providing a visual anchor for the composition. The surrounding figures are rendered in a variety of postures, suggesting movement and interaction within the confined space of the page. The inclusion of Latin text below the image integrates the visual narrative with the devotional function of the book. This print captures the technical precision of the original vellum work, preserving the delicate brushwork and the specific palette characteristic of the International Gothic style. It offers a view into the artistic practices of the early fifteenth-century courtly workshops, where manuscript production was a collaborative and highly specialised endeavour.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Entry into Jerusalem - Limbourg brothers
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