The Great Orgy of Maharao Shatru Sal II - Unknown Artist
Archival giclée
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Description
A detailed 18th-century Bundi school miniature painting depicting a crowded court scene and animal assembly.
This miniature painting originates from the Bundi court in Rajasthan, India, dating to the mid-eighteenth century. The composition is divided into two distinct registers. The upper section depicts a dense assembly of animals, including elephants, tigers, leopards, and various deer, set against a green hill under a dark, cloud-filled sky. The lower section presents a crowded scene of human figures engaged in various activities, reflecting the courtly life and social dynamics associated with the reign of Maharao Shatru Sal II.
The work employs the characteristic stylistic conventions of the Bundi school, featuring a flattened perspective and a high degree of decorative detail. The figures are rendered with precise outlines, and the colour palette is dominated by earthy tones, ochres, and deep greens. The arrangement of the human figures is rhythmic, creating a sense of busy activity across the lower half of the page. The borders of the painting show signs of age, including wear along the edges, which is common for works of this period that were kept in royal albums or portfolios.
Such paintings were often commissioned to document the lifestyle of the ruler, blending historical record with allegorical or mythological themes. The juxtaposition of the animal kingdom above and the human court below suggests a symbolic connection between the natural world and the social order of the Rajput state. The artist uses a fine brush to delineate the features of the courtiers and the textures of the animals, maintaining a consistent level of detail throughout the composition. This piece provides a window into the aesthetic preferences of the Bundi court, where miniature painting served as a primary medium for visual storytelling and historical documentation.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Great Orgy of Maharao Shatru Sal II - Unknown Artist
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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