The Green Wheatfield behind the Asylum - Vincent van Gogh
Archival giclée
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Description
A view of the wheat fields near the Saint-Paul-de-Mausole asylum, painted by Vincent van Gogh in 1889 using his signature rhythmic brushwork.
Painted in May 1889, this work captures the view from the window of Vincent van Gogh's room at the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence. The composition is dominated by a field of young wheat, rendered with rhythmic, directional brushstrokes that convey the movement of the stalks under a breeze. The artist employs a palette of greens, yellows, and blues to define the terrain and the sky above.
In the background, the Alpilles mountains rise against a turbulent, cloud-filled sky. The application of paint is thick and deliberate, a technique characteristic of the artist's period in the south of France. He uses short, broken lines to build texture, creating a sense of energy across the canvas. The inclusion of small red poppies scattered through the foreground adds contrast to the dominant green tones of the wheat.
This painting reflects the artist's focus on the natural world during his stay at the asylum. He often turned to the immediate surroundings of the institution for his subjects, finding order and rhythm in the cultivated fields. The work demonstrates his ability to transform a familiar view into a study of colour and motion. The structure of the painting is balanced by the horizontal line of the path, which separates the foreground from the distant hills. This piece is a clear example of his mature style, where the physical application of paint is as important as the subject itself. The work remains a primary example of his output during the final year of his life, documenting the environment that occupied his attention during his recovery.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Green Wheatfield behind the Asylum - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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