The Jetty at Cassis, Opus 198 - Paul Signac
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Description
A classic example of Pointillism, this 1889 work by Paul Signac captures the Mediterranean light of Cassis through a precise application of colour dots.
Paul Signac painted The Jetty at Cassis, Opus 198 in 1889 during a period of significant development for the Neo-Impressionist movement. Following his meeting with Georges Seurat in 1884, Signac adopted the technique of divisionism, which involves the application of small, distinct dots of colour that blend in the eye of the viewer. This work captures the coastal light of the Mediterranean, a region that became a primary subject for the artist throughout his career.
The composition depicts the harbour of Cassis, a small fishing port in the south of France. Signac employs a systematic approach to his palette, using light blues, ochres, and soft pinks to represent the water, the sandy shore, and the surrounding architecture. The jetty itself acts as a horizontal anchor, guiding the eye across the canvas toward the distant hills. The small sails of the boats are rendered with minimal detail, allowing the focus to remain on the interaction of light and colour across the surface.
Signac often assigned opus numbers to his works, a practice inspired by musical composition, to denote his methodical approach to painting. This specific piece demonstrates his commitment to the scientific theories of colour perception popularised by Michel Eugène Chevreul. By placing complementary colours side by side, Signac achieves a luminosity that traditional mixing on the palette could not replicate. The result is a calm, atmospheric scene that prioritises the optical experience of the viewer over realistic detail. The work remains a clear example of the rigour and technical precision that defined the Neo-Impressionist circle during the late nineteenth century.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Jetty at Cassis, Opus 198 - Paul Signac
Artist Biography
Paul Signac
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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