The Meeting of Etherius and Ursula and the Departure of the Pilgrims - Vittore Carpaccio
Archival giclée
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Description
A detailed narrative scene from the St. Ursula Cycle, capturing a complex Venetian harbour setting with figures in period dress.
This work is part of the celebrated St. Ursula Cycle, commissioned for the Scuola di Sant'Orsola in Venice. Vittore Carpaccio demonstrates his mastery of narrative composition, blending religious hagiography with the contemporary architectural and social atmosphere of late fifteenth-century Venice. The scene depicts the arrival of Prince Etherius and his meeting with Saint Ursula, followed by the departure of the pilgrims.
Carpaccio organises the canvas into distinct zones of activity. On the left, the arrival of the prince and his retinue unfolds against a backdrop of fortified towers and rocky outcrops. To the right, the scene shifts to the quayside, where figures in period dress engage in formal greetings and preparations for the voyage. The artist employs a clear, light-filled palette, characteristic of the Venetian school, which allows for the precise rendering of textiles, armour, and the varied expressions of the crowd. The architecture, while imaginative, reflects the Venetian penchant for combining Gothic and classical elements, creating a sense of place that feels both grounded and theatrical.
Unlike many of his contemporaries who focused on singular, static devotional images, Carpaccio treats the canvas as a stage for complex human interaction. The perspective is expansive, drawing the viewer across the harbour towards the ships waiting in the distance. Every figure, from the noblemen in their heavy robes to the sailors on the docks, contributes to the overall rhythm of the narrative. The attention to detail in the costumes and the structural elements of the port provides a window into the visual culture of the period, capturing the spirit of a city defined by its maritime connections and civic pride.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Meeting of Etherius and Ursula and the Departure of the Pilgrims - Vittore Carpaccio
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