The Raising of Lazarus - Boetius Adamsz. Bolswert
Archival giclée
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Description
A detailed 17th-century engraving by Boetius Adamsz. Bolswert depicting the biblical scene of the Raising of Lazarus with dramatic Baroque composition.
This engraving by Boetius Adamsz. Bolswert depicts the biblical narrative of the Raising of Lazarus. Bolswert, a skilled Dutch printmaker, frequently collaborated with Peter Paul Rubens, and this work reflects the dramatic tension and theatrical composition characteristic of the Flemish Baroque. The scene captures the moment Christ commands Lazarus to emerge from the tomb, with the Latin inscription 'Lazare, veni foras' (Lazarus, come forth) appearing at the base.
Technically, the print demonstrates the mastery of line and cross-hatching typical of the period. Bolswert employs a range of tonal values to create depth, from the deep shadows within the rocky tomb to the illuminated figures in the foreground. The composition is organised around the central figure of Christ, whose gesture directs the viewer's eye toward the emerging Lazarus. Surrounding them are figures expressing a variety of reactions: astonishment, reverence, and physical exertion as they assist in removing the burial cloths. The background features a gnarled tree and atmospheric clouds, which add to the sense of drama and scale.
Bolswert's ability to translate the painterly qualities of Baroque art into the medium of engraving is evident here. The drapery of the garments is rendered with fluid lines, suggesting weight and movement. The facial expressions are individualised, contributing to the narrative clarity of the scene. As a printmaker, Bolswert played a role in disseminating the aesthetic of the Counter-Reformation across Europe, making complex religious subjects accessible through high-quality reproductions. This piece serves as an example of the technical precision and narrative focus that defined the printmaking tradition in the early 17th century, offering a window into the artistic priorities of the Dutch and Flemish schools during this period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Raising of Lazarus - Boetius Adamsz. Bolswert
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