The Resurrection - Giulio Bonasone
Archival giclée
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Description
A detailed Renaissance engraving by Giulio Bonasone depicting the Resurrection of Christ with dramatic lighting and anatomical precision.
Giulio Bonasone, an Italian engraver and painter active in Bologna and Rome, produced this engraving during the mid-sixteenth century. The work depicts the biblical scene of the Resurrection, with Christ ascending above the tomb while Roman soldiers react in shock and confusion. Bonasone demonstrates his technical proficiency through the use of varied line weights and cross-hatching to define the muscular anatomy of the figures and the dramatic light emanating from the central figure.
The composition is divided into two distinct zones. The upper portion focuses on the ethereal, weightless form of Christ, who holds a banner aloft. His body is rendered with the anatomical precision characteristic of the period, reflecting the influence of Michelangelo and other masters of the Italian Renaissance. Below, the soldiers are arranged in a chaotic, earthly response to the divine event. Their poses are dynamic, with some shielding their eyes from the blinding light and others recoiling in fear. The ground is suggested with short, directional strokes that provide a sense of texture to the rocky terrain.
Bonasone was known for his ability to translate the works of other painters into print, yet he also created original compositions. This engraving shows his command of the burin, allowing for subtle gradations of tone that suggest the brilliance of the light against the darkness of the surrounding scene. The print captures the dramatic tension of the narrative, focusing on the contrast between the calm, triumphant figure of Christ and the disarray of the guards. As a piece of Renaissance printmaking, it offers a clear view into the stylistic priorities of the era, where human form and dramatic lighting were central to the visual storytelling of religious subjects. This museum-grade reproduction preserves the fine detail of the original copperplate engraving, ensuring the clarity of the lines and the depth of the shadows are maintained.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Resurrection - Giulio Bonasone
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