The Resurrection of Lazarus - Wilhelm Kotarbinski
Archival giclée
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Description
A dramatic Symbolist interpretation of the biblical resurrection, featuring strong chiaroscuro and atmospheric lighting by Polish artist Wilhelm Kotarbinski.
Wilhelm Kotarbinski, a Polish artist associated with the Symbolist movement, frequently explored themes of mysticism and religious narrative. In this depiction of the resurrection of Lazarus, the artist employs a dramatic chiaroscuro to focus the viewer on the moment of divine intervention. Christ stands to the left, his hand raised in a gesture of command, while the figure of Lazarus emerges from the shadows of the tomb. The composition is structured around the contrast between the light emanating from the central figure and the dark, cavernous interior of the burial site.
Kotarbinski studied at the Imperial Academy of Arts in Saint Petersburg and spent much of his career in Ukraine, where his work gained popularity for its atmospheric quality. His approach to this biblical subject avoids the rigid formality often found in academic religious art. Instead, he prioritises the emotional weight of the scene. The figures are rendered with a soft, painterly touch, which blurs the edges of their garments and features. This technique creates a sense of ethereal movement, as if the figures are caught between the physical world and a spiritual realm.
The palette is dominated by earthy tones, punctuated by the deep red of Christ's robe. This choice of colour directs the eye across the canvas, linking the active figure of the miracle worker to the prone, awakening form of Lazarus. The surrounding onlookers are depicted with varied expressions of awe and trepidation, adding a human dimension to the supernatural event. Kotarbinski manages to capture the tension of the narrative through the positioning of the bodies and the interplay of light and shadow. This work remains a representative example of his ability to blend traditional iconography with the moody, evocative style characteristic of late nineteenth-century Symbolist painting.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Resurrection of Lazarus - Wilhelm Kotarbinski
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