The Schoolboy (Camille Roulin) - Vincent van Gogh
Archival giclée
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Description
A striking portrait of Camille Roulin by Vincent van Gogh, featuring bold colour contrasts and expressive, textured brushwork.
Painted in Arles in 1888, this portrait depicts Camille Roulin, the young son of Joseph Roulin, a postman who became a close friend and frequent subject for the artist. Van Gogh produced several portraits of the Roulin family during his time in the south of France, often employing a bold, expressive use of colour to convey the character of his sitters.
The composition is dominated by the contrast between the cool, blue-green tones of the boy's jacket and skin, and the intense, flat red background. This juxtaposition is a hallmark of the artist's approach during this period, where he moved away from naturalistic representation toward a more subjective, emotional application of paint. The brushwork is thick and visible, following the contours of the boy's face and clothing, which adds a sense of physical presence to the figure.
Camille is shown wearing a dark cap, his gaze directed away from the viewer, suggesting a moment of quiet contemplation or distraction. The simplicity of the pose allows the viewer to focus on the application of pigment and the deliberate choice of a non-naturalistic palette. The green skin tones, while unconventional, function to balance the warmth of the background, creating a visual tension that is characteristic of the artist's work from the late 1880s. This piece remains a clear example of the artist's interest in portraiture as a means of exploring human expression through colour theory and rhythmic, textured brushstrokes.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Schoolboy (Camille Roulin) - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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