The Stigmatisation of St. Francis - Piero della Francesca
Archival giclée
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Description
A serene Renaissance depiction of Saint Francis receiving the stigmata, characterised by geometric clarity and balanced composition.
This work depicts the moment of the stigmatisation of Saint Francis of Assisi, a subject frequently explored in Italian Renaissance art. Piero della Francesca presents the scene with his characteristic geometric clarity and measured approach to space. The composition is divided between the earthly realm, occupied by the kneeling Saint Francis and his companion, and the celestial vision of the seraphic Christ appearing in the upper right corner.
The figures are rendered with a sense of stillness. Their heavy, dark habits contrast against the pale, arid ground, which is punctuated by sparse, leafless trees. The lighting is deliberate, casting long, sharp shadows that define the physical presence of the figures within the landscape. Unlike many contemporary depictions that favour dramatic emotional expression, this panel maintains a quiet, contemplative atmosphere. The artist uses a muted palette of earth tones, which directs the viewer's attention to the interaction between the saint and the divine apparition.
Piero della Francesca was a master of perspective and mathematical proportion. Even in this smaller-scale work, his ability to organise space remains evident. The figures possess a sculptural quality, their forms modelled through subtle gradations of light and shadow. The background, while simplified, provides a sense of depth that draws the eye towards the distant horizon. This piece reflects the artist's interest in the intersection of human experience and spiritual narrative, presented through a lens of rational order. The work is a fine example of the Quattrocento style, where the focus lies on the balance of form and the clarity of the visual message. It remains a study in how the artist applied his rigorous technical training to traditional religious iconography, resulting in a composition that feels both grounded and ethereal.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Stigmatisation of St. Francis - Piero della Francesca
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