The Virgin Searching for Her Son in the Synagogue - Albrecht Altdorfer
Archival giclée
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Description
An early sixteenth-century engraving by Albrecht Altdorfer, depicting the Virgin Mary in a detailed architectural setting.
This engraving by Albrecht Altdorfer depicts a scene from the life of the Virgin Mary. The composition focuses on the moment Mary discovers the young Jesus debating with the elders in the temple. Altdorfer employs a sophisticated architectural setting, using columns and vaulted arches to create a sense of depth within the confined space of the synagogue. The Virgin is positioned in the foreground, her hand resting against a pillar, while the figures of the elders and the young Christ are visible in the background, framed by the structural elements of the building.
Altdorfer, a member of the Danube School, is known for his integration of human figures into complex, often atmospheric environments. In this work, the precision of the line work allows for a clear distinction between the textures of the stone architecture and the folds of the garments. The artist uses cross-hatching to build shadow and volume, providing a tactile quality to the scene. The inclusion of the artist's monogram on the base of the pillar is a characteristic feature of his prints, identifying the work as part of his graphic output during the early sixteenth century.
The narrative is conveyed through the positioning of the figures, with the Virgin acting as the primary observer of the event. The architectural details, such as the capitals and the arched windows, reflect the influence of contemporary European building styles, which Altdorfer adapted to suit the biblical subject matter. This print demonstrates the technical skill required for metal engraving during the period, where every mark on the plate contributes to the final tonal balance of the image. The work remains a clear example of the narrative capabilities of printmaking in the Northern Renaissance, where artists explored both theological themes and the possibilities of spatial representation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Virgin Searching for Her Son in the Synagogue - Albrecht Altdorfer
Artist Biography
Albrecht Altdorfer
He was born around 1480, probably in Regensburg, and became a citizen in 1505. He is credited with painting one of the first pure landscapes in oil with no human figures, Landscape with Footbridge (c. 1518 to 1520), a step that no European painter had taken since antiquity. He died in Regensburg in 1538.
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