The Walk - Marc Chagall
Archival giclée
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Description
A 1973 oil painting by Marc Chagall featuring two figures in an intimate embrace, rendered with the artist's signature dreamlike style and saturated colours.
Marc Chagall painted The Walk in 1973, a period during which his work continued to explore themes of memory, affection, and the dreamlike quality of human experience. This composition features two central figures, a man and a woman, who appear fused in a singular, affectionate embrace. The man wears trousers decorated with distinct, mask-like faces, a recurring motif in Chagall's later work that suggests a layering of identity and personal history. The woman, positioned behind him, shares the space with a sense of gentle intimacy.
The background is rendered in deep, atmospheric blues and dark tones, which contrast with the saturated colours of the figures. Yellows, reds, and blues define the clothing and the central forms, creating a visual separation from the shadowy environment. Small, ghostly figures and faint outlines appear in the periphery, suggesting a narrative that exists outside of conventional time or physical reality. The brushwork is expressive, with visible textures that build up the surface of the canvas, giving the image a tactile quality.
Chagall often drew upon his childhood in Vitebsk and his life in France to construct these scenes. He did not aim for realistic representation, but rather for a visual language that communicated emotional states. The figures in this work do not occupy a standard perspective, as they seem to float within the dark, nebulous space. This approach allows the viewer to focus on the relationship between the subjects rather than the physical setting. The work demonstrates his ability to combine personal symbolism with a distinct, painterly style that remained consistent throughout his career. It is an example of his late-period output, where the forms became more simplified and the colour palette more intense, yet the underlying poetic sensibility remained unchanged.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Walk - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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