Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
The Wedding Feast at Cana - Jan Steen
Regular price
$220.00 NZD
Sale price
$220.00 NZD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A complex and theatrical interpretation of the biblical Wedding Feast at Cana, rendered with the observational humour typical of Dutch Golden Age painter Jan Steen.
Jan Steen, a master of the Dutch Golden Age, presents a complex narrative in this depiction of the biblical Wedding Feast at Cana. Unlike many of his contemporaries who focused on the solemnity of the miracle, Steen approaches the subject with his characteristic theatricality and observational humour. The scene is set within a grand, architectural space that blends classical elements with the chaotic energy of a seventeenth-century tavern gathering. At the centre of the composition, the figures are arranged across multiple levels, creating a sense of depth that draws the eye through the bustling crowd. Steen populates the canvas with a diverse array of characters, from the central figures of Christ and the Virgin Mary to the rowdy guests and servants attending to the wine. The lighting is dramatic, with deep shadows contrasting against the illuminated areas where the action unfolds. This use of chiaroscuro helps to organise the dense grouping of people, ensuring that the viewer can navigate the various sub-plots occurring simultaneously. Steen was known for his ability to capture human folly, and this work is no exception. The presence of a dog in the foreground, the casual postures of the guests, and the cluttered table settings provide a grounded, almost domestic atmosphere to a divine event. The palette is dominated by earthy tones, punctuated by the muted reds and ochres of the clothing, which anchor the figures within the stone-walled interior. The architectural arches in the background suggest an expansive, open-air structure, allowing for a glimpse of the sky and adding to the overall scale of the piece. This print captures the narrative density and the painterly textures of the original oil work, offering a detailed look at Steen's approach to moralising genre scenes.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
The Wedding Feast at Cana - Jan Steen
Regular price
From $130.00 NZD
Sale price
From $130.00 NZD
Regular price
Fine Art Framed / A4 (21x29.7 cm) / Black frame
Artist Biography
Jan Steen
Steen ran a brewery and a tavern, painted roughly eight hundred pictures, fathered eight children and died in debt. The Dutch phrase "a Jan Steen household" still describes a home in cheerful disarray, which is exactly what his paintings depict: noisy domestic scenes of feasts, drinking parties, quack doctors and misbehaving children, painted with moral commentary buried under layers of visual comedy.
He was born in Leiden around 1626 into a well-to-do Catholic family of brewers who ran the tavern The Red Halbert. In 1648 he and Gabriel Metsu co-founded the painters' Guild of Saint Luke in Leiden. He studied under Jan van Goyen, the landscape painter, and married Van Goyen's daughter Margriet in 1649. His father leased him a brewery in Delft from 1654 to 1657; when the art market collapsed in the Year of Disaster (1672), he opened a tavern in Leiden.
His painting drew heavily on the Rhetoricians, the amateur theatrical guilds whose public performances combined moralising with bawdy comedy. Steen treated his own family as a cast: he used relatives as models and painted himself repeatedly with no trace of vanity, often as the fool or the drunk. The Feast of Saint Nicholas and Girl Eating Oysters are among his most recognisable images, each balancing precise observation of Dutch domestic life with a theatrical sense of timing.
Despite enormous productivity he struggled financially throughout his career. His second wife was left with heavy debts and a large family after his death in Leiden in 1679, at fifty-two. Collectors valued him from early on, but the prices came after his lifetime.
He was born in Leiden around 1626 into a well-to-do Catholic family of brewers who ran the tavern The Red Halbert. In 1648 he and Gabriel Metsu co-founded the painters' Guild of Saint Luke in Leiden. He studied under Jan van Goyen, the landscape painter, and married Van Goyen's daughter Margriet in 1649. His father leased him a brewery in Delft from 1654 to 1657; when the art market collapsed in the Year of Disaster (1672), he opened a tavern in Leiden.
His painting drew heavily on the Rhetoricians, the amateur theatrical guilds whose public performances combined moralising with bawdy comedy. Steen treated his own family as a cast: he used relatives as models and painted himself repeatedly with no trace of vanity, often as the fool or the drunk. The Feast of Saint Nicholas and Girl Eating Oysters are among his most recognisable images, each balancing precise observation of Dutch domestic life with a theatrical sense of timing.
Despite enormous productivity he struggled financially throughout his career. His second wife was left with heavy debts and a large family after his death in Leiden in 1679, at fifty-two. Collectors valued him from early on, but the prices came after his lifetime.
Made to order
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Canvas
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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