Title Page for a Series of New Testament Scenes - Abraham Bosse
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Description
A 1635 etching by Abraham Bosse, serving as a title page for a New Testament series originally conceived by Jacques Callot.
This etching by Abraham Bosse serves as the title page for a series of New Testament scenes. Produced in 1635, the work reflects the technical precision Bosse brought to the medium of printmaking. The composition is centred on a cartouche containing French text, which notes that the series was initiated by Jacques Callot, who was unable to complete the project before his death.
The design features a central oval frame surrounded by elaborate scrollwork and leather-like strapwork, a common decorative motif in seventeenth-century French print culture. At the top, a cherub head emerges from the foliage, while two crosses flank the sides, reinforcing the religious subject matter. The lower section includes the publication details, identifying Israel Henriet as the publisher in Paris.
Bosse was a master of the etching needle, and his ability to render varying textures is evident here. The contrast between the smooth, curved surfaces of the cartouche and the hatched shadows provides a sense of depth. The lines are clean and controlled, demonstrating the artist's expertise in the craft of engraving and etching. This print is a fine example of the collaborative nature of print production during the period, where artists, publishers, and engravers worked together to bring religious and historical narratives to a wider audience. The work remains a clear record of the transition in artistic projects following the death of a major figure like Callot, preserving the intent of the original series while showcasing the technical skill of Bosse.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Title Page for a Series of New Testament Scenes - Abraham Bosse
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