Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Archival giclée
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A 1687 title page illustration by Arnold Houbraken for J. Lydius, featuring precise typography and a detailed allegorical etching.
This print is the title page for the 1687 publication 'Laetsten duyvels-dreck' by J. Lydius, illustrated by the Dutch artist Arnold Houbraken. Houbraken, a painter and biographer, is perhaps best known for his extensive documentation of Dutch Golden Age artists, yet his early career involved significant work as an engraver and illustrator for various theological and polemical texts of the period. The composition follows the conventions of seventeenth-century Dutch book design, prioritising clear, hierarchical typography to convey the complex title and publication details. Below the text, a small, finely executed etching depicts a winged figure, likely an allegorical representation of Fame or Time, hovering above a maritime scene. The figure holds a trumpet and a wreath, elements common in the visual vocabulary of the era to signify the dissemination of information or the passage of historical events. The ships in the background suggest a connection to the trade and naval power that defined the Dutch Republic during this century. Technically, the work demonstrates the precision required for small-scale book illustration. The lines are delicate, allowing for the inclusion of minute details such as the rigging of the ships and the folds of the figure's drapery despite the limited surface area. The contrast between the bold, block-lettered title and the refined, illustrative vignette creates a balanced visual hierarchy. This piece offers a glimpse into the intersection of religious discourse and print culture in late seventeenth-century Dordrecht, where such pamphlets were produced to engage with the theological debates of the time. The print remains a clear example of the functional yet artistic role played by engravers in the production of early modern literature.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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